Spring brings the return of PS (Pedestrian Sundays) Kensington and the Serpentina North Ensemble is delighted to be back again dancing in the streets. Its been a couple of summers since we’ve graced the pavement of this event, so come on out and check out our FOUR sets over the afternoon! Event page here.
Another great trip to Seattle for Cues and Tattoos has come and gone! This was my 5th year attending Cues and Tattoos in Seattle. And the event celebrated their 10 year anniversary. Ten years of providing a well curated lineup of instructors on improvisational fusion bellydance! Serpentina North Ensemble has performed three times at the Serpent’s Muse stage –this year an homage to Prince with our improv number to Raspberry Beret! This was the year of the intensive: Zoe Jakes, Amy Sigil and Caroleena Nerricio-Bohlman all had two day intensives before the weekend of workshops. I arrived on Thursday for the workshops starting on the Friday and as usual the weekend was a wonderful whirlwind of dance.
For the second year in a row, all of Serpentina North Ensemble attended and between us all, we have a whole lot of new material to work into our improv sets. This was my itinerary:
Rachel Brice – ‘Shake it up and break it down’
Zoe Jakes – ‘The Divine Muse’
Moria Chappell – ‘Odissi Fusion’
Ashley Lopez – ‘Oddity: Unconventional time signatures and an odd choreography’
Donna Mejia – ‘Core-ography’
Mardi Love – ‘New Choreography’
Over three days I got to study with some of the dancers I greatly admire: Mardi Love, Donna Mejia, Ashley Lopez, Rachel Brice, Moria Chappell and Zoe Jakes. Rachel is a generous and grounded teachers and I enjoyed working on a bunch of different shimmies and putting them into combos. Zoe led us through some basics of Odissi and Balinese dance. Moria taught an Odissi fusion choreography and lectured on some of the origins of Odissi dance before and after it was codified into a national dance of India. Ashley led us through a fast moving choreography with a 13 count time signature that was a lot of fun, rolling, jumping and partner interaction. Donna schooled us in anatomy, core strength, breath and creating longevity in a dance/movement practice.
The last , but certainly not least, workshop of the weekend was the three hour Mardi Love choreography to a sweet little vintage jazz song. Mardi is cream of the crop in terms of tribal fusion dance aesthetic, and continues to be humble in her influence on the art form. Since seeing her dance live in San Francisco in 2009, she remains one of my most significant dance role models. I’m pretty sure I smiled through the entire workshop, despite my end-of-weekend fatigue and missing a few of the quick time isolations in the number.
The troupe got a chance to visit the Bruce Lee exhibit at the Wing Museum. Below was the only photo op.
The Seattle weather was perfect, especially leaving the Toronto snowfall (though short-lived) behind. Parting ways after Cues and Tattoos, I made my way to San Francisco for a few days, where the temperature was higher.
Though it was a non-dance trip, I managed to squeeze in a conditioning class with the one and only Jill Parker at ODC studios after a long day of hiking the Muir Woods.
Til we meet again west coast, its always a pleasure.
House of Shimmy is coming back to the Bazaar of the Bizarre once again –this time for the circus side show edition. This Sunday, don’t miss it! There is no other artisan fair quite like it!
From the event fb page:
Listen up and come and see this marvel!
Toronto-based House of Shimmy has a flare for animating spaces and stages with their unique flavour of fusion bellydance. Bound by no genre, House of Shimmy has cooked up some circusy weirdness for this Sunday! Performing at 2pm and 5pm
The only year this century we can quote the sound of music as an ode to the transition into a new year. So revel in it people. Revel in that unforgettably terrible song that you will always know the words to. Having recently experienced a Sound of Music Sing-a-long, this is fresh in my mind.
This being the first entry of 2017, I suppose a year in review is in order. Growing further into teaching yoga and dance has been the theme of my movement life this year. I have had the opportunity to teach yoga at Karma Teachers Toronto, offering free and by donation yoga, as well as co-teaching closed group of trauma-sensitive yoga to LGBTQ youth through a mental health agency in collaboration with a psychotherapist/yoga teacher. This pilot program began a couple of years ago and I have been involved for over a year now. My training continues in this area, recently having completed a two day training on clinical applications of yoga in efforts to build on my 200-hour yoga teacher certification.
Some highlights of the past year:
Serpentina North Ensemble’s annual trip to Seattle for Cues & Tattoos –this time the whole troupe made it! We performed in both Portland and Seattle,
taking my first ever Odissi class! An eight week series with Supriya Nayak introduced me to some basics of this classical Indian dance. It was super fun and challenging!
This year most of my regular practice was intentionally and organically, solo. Whether in a studio or home, I have increased my hours of weekly practice to work on all of the material I have learned –and forgotten! — from all the workshops and intensives. And hey practice makes more practice, right?
The most important question I (re) asked myself this year as a dancer is: Why? Why do I dance? Why do I perform? The answer is ever-evolving, but after some new insights and realization, my why –for now –is clear. There is a certain vitality that only dance brings, after which the fatigue is just like no other tiredness. Aside from the community and catharsis of a social dance floor, there is something incredibly satisfying, so emotionally and mentally balancing about practicing, drilling, teaching and yes even at times, performing dance. I dance to embody some of the beauty I see in this world, to taste the pleasure and pain of physical discipline and a freedom of movement. To chase fleeting moments and stretch out time, to sit in the pocket of a memory or imagine a future yet unknown. Maybe tomorrow there will be more or less reasons…
Moving into 2017, I will be offering karma yoga classes each Thursday at 6pm through Jai Yoga and Ayurveda – Centre for Wellness and Education. Jai shares in my vision to make yoga accessible through free/PWYC classes and I am excited to begin classes on January 10th. 688 Richmond Street West (lower level).
As for 2017: may your shimmies be juicy, and your footwork be fancy!
The energy of equinox infuses everything right now. Dance, life, work. It’s all intense. Losing myself in the process is a beautiful thing. When the ego/identity dissolves in favour of a creative process, that’s when I know I’m in the flow, as they say. By the way, creativity isn’t limited to dance, its in every interaction with others, every message we tell ourselves and every way we learn to survive an adapt in a tumultuous world. What good is grace in dance if you lose your shit the minute things go awry in your personal life. What good is rhythm in a choreography if you don’t move with the rhythms of life each day, through the years?
I used to really struggle to dance on days I didn’t feel energetic and motivated, but for the past few years, the beauty of dance discipline has shown itself to me. In the same way I don’t need to be happy to meditate or motivated to do yoga. When you get out of your own way, the process happens. Cultivating a sense of discipline, repetition, acceptance and equanimity can help this process along.
The fall session has begun for the super beginner Intro to Bellydance classes, every Wednesday night. Summoning all the newbies, to come out and learn some fundamental movements that can be applied to all styles and on the dancefloor! Absolutely no dance experience necessary, this is for all of you who come out to shows or see videos and wonder if your hips can ever move like that. Yes, they can! I’ll show you how! Drop-ins welcome and all genders welcome in my classes.
In Serpentina news, we have a busy fall season coming up, and tomorrow we make the drive to Niagara-on-the-Lake for the Grand Canadian Steampunk Exposition. This is our troupes second year performing and we look forward to this unique event.
Serpentina North Ensemble welcomes some new dancers to Snakebite, our new student troupe. We look forward to working with these dancers on growing the improvisational tribal style bellydance community here in Toronto. Orkideh of Serpentina North Ensemble will be teaching a workshop Oct 1st in Scarborough. Hey East-enders, you asked for it and that green haired dame heard the call.
There’s more, this is a hard working crew! Troupe member Kelly has recently become the first certified teacher of Tribal Grooves –a fitness program developed by Paulette of Gypsy Caravan, that is based on the group improv bellydance. For people who want to experience the moves but don’t want to worry about sequences or choreography. Stay tuned for some upcoming classes.
On our YouTube channel is a new series of videos on tribal bellydance…here’s the first: What is Tribal Bellydance?
This August heatwave encompasses every movement, makes sure I slow down, insists I drink buckets of water.The summertime vibe is in full effect, this city is live with art and music. Free stuff, waterfront stuff, dance floor stuff, all the stuff…!
Spring and summer have been more about practice than than performance. Lifetimes of stuff to learn and practice.
Reaching back a couple months, I completed the Lavender Intensive at the Darkside
Studio, a week of intensive study is always an inspiring challenge to body and mind. Not only was the week packed with content, but the feedback from Audra was from throughout the week as well as the testing day, was so detailed and informative, I just can’t recommend this enough for any belly dancer with a particular interest in or practice of tribal fusion for defining and refining technique and musicality. I’m a long way off from having the material from the intensive down but I have a ton of material to work with. These few months later, I am revisiting the course content, as I carve out more space in my life for studio time for solo goals and projects.
In June, I attended a day of workshops with the Magyar beauty Katalyn Schafer of Hungary, hosted by Toronto’s own Ya Amar. This woman is a powerhouse, of the most elegant variety. The choreography she taught us (modern bellydance and some jazz fusion) were truly challenging between the floor work freezes, spins and strong extended legs. I was invigorated by the big movements, taking up a lot of space in every direction…we all agreed she must come back, we want more!
I am on the tail end of the Bellydance Summer School course offered by Zahira at Dragonfly. A ten week long course on belly dance history, I have looked forward to this each and every week: learning of the Cengis and Kocek, Salome, Badia Masabni, the Golden Age of belly dance to Bal Anat and Reda troupe. So much to take in, tracing this history and how this art form shimmied its way to North America. What we have learned in this class from Zahira –whose extensive knowledge on the subject is rather mind-blowing, I might add –is fascinating, enriching and essential to those of us studying any style of belly dance. Dancers, keep your fingers crossed that Dragonfly runs this class again one day!